Design Profile · Wallpapers

Wreath Wallpaper by William Morris: History and Design

Wreath is a foliate wallpaper the Victoria and Albert Museum attributes to William Morris and dates to 1876, printed on paper with entwined leaves and blue flowers. The museum holds two specimens of the design.

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Wreath is a wallpaper that the Victoria and Albert Museum attributes to William Morris and dates to 1876, a foliate pattern of entwined leaves and blue flowers printed on paper. The museum holds two specimens of the design, both inscribed on the back with title, number and price.

Quick facts

The essentials of the record can be set out plainly, with what is unknown left blank. The V&A caption for Wreath states it is a wallpaper designed by William Morris, manufactured by Jeffrey & Co., 1876, England.

Key facts from the V&A records:

  • Designer: William Morris, as recorded by the V&A.
  • Date: 1876, given as a production date in the museum's records.
  • Maker: Jeffrey & Co., named in the V&A caption.
  • Medium: printed on paper.
  • Museum numbers: O248613 and O248608 at the V&A.

What the pattern shows

Wreath is a foliate pattern of entwined green leaves and blue flowers. The V&A describes the related record O248692, titled The Wreath or New Ceiling, as a formalised floral pattern featuring a circular wreath of flowers and foliage, printed in colour from woodblocks.

The records name no plant species for the design, so none can be given here. According to the V&A, Morris's wallpaper designs centre on plant-based forms and are subtle, stylised evocations of natural forms rather than literal transcriptions, which is a useful frame for reading the entwined foliage of this pattern.

The V&A specimens and how they reached the museum

The V&A holds two specimens of Wreath. One, museum number O248613, is part of Volume 1, a pattern book containing 25 Morris & Co. wallpapers. The other, O248608, carries a production date of 1876 and records William Morris as designer.

Both the O248608 specimen and the related O248692 record were given to the museum by Morris & Co., so the firm itself supplied examples of its own work to the V&A.

How Morris wallpapers like this were printed

The printing of Morris wallpapers involved several named trades. The wood-blocks were cut by the family firm Barrett's in Bethnal Green, who dealt directly with Morris's firm in the transfer of designs. The London firm Jeffrey & Co., which specialised in high quality Art wallpapers, printed Morris wallpapers in distemper, water-based colours giving a thick chalky effect.

The making of Morris wallpapers, as recorded by the V&A
Stage Who or what Detail
Block cutting Barrett's, Bethnal Green The family firm cut the wood-blocks and dealt directly with Morris's firm in the transfer of designs.
Printing Jeffrey & Co., London Printed Morris wallpapers in distemper, water-based colours giving a thick chalky effect.
Complexity and cost Many individual blocks According to the V&A, complex designs involved a large number of individual printing blocks, making such papers more costly than Morris's earlier, simpler designs.

The evidence does not confirm that Barrett's and Jeffrey & Co. worked on Wreath specifically rather than on Morris wallpapers generally. The V&A caption does name Jeffrey & Co. as the manufacturer of the Wreath specimen it describes.

Wreath in Morris's wallpaper work

The V&A lists Wreath among Morris wallpaper designs of the 1870s, alongside Chrysanthemum. For a closer look at Acanthus, another pattern from Morris's wallpaper work, see our guide to Acanthus.

According to the V&A, the more complex designs of this period involved a large number of individual printing blocks, making the papers more costly than Morris's earlier, simpler designs. Wreath belongs to this decade of dense, layered foliage patterns.

Two statements by Morris about wallpaper design survive in the evidence, though neither concerns Wreath specifically. Writing about wallpaper, Morris criticised what he called sham-real boughs and flowers.

sham-real boughs and flowers

William Morris

He also advised designers to avoid falling into the trap of trying to make your paper look as if it were painted by hand. Both remarks come from Morris's writings on wallpaper design, and both describe principles rather than this particular pattern.

to avoid falling into the trap of trying to make your paper look as if it were painted by hand

William Morris

What the records do not settle

According to the V&A, the 1876 date in its records is a production and caption date. The evidence does not establish whether it is the design date or the first issue or registration date, so this page states it as a production date only.

Attribution to William Morris rests on the V&A's records. No second museum holding of Wreath is documented in the evidence, and no documented statement by Morris about Wreath itself survives; the quotations above concern wallpaper design generally. The evidence also names no plant species for the pattern and records no later reissues.

Seeing Wreath: the V&A holdings

Examples of Wreath can be studied at the Victoria and Albert Museum, which holds the specimens O248613 and O248608, together with the related record O248692 for The Wreath or New Ceiling. All were given by Morris & Co. The specimens are inscribed on the back with title, number and price.

For the wider context of the firm's printed papers, our complete list of Morris wallpaper designs sets Wreath alongside its contemporaries.

Frequent questions

Who designed the Wreath wallpaper?

The V&A records William Morris as the designer of Wreath, and its caption for the design names him directly. The attribution rests on the museum's records; no other source is documented in the evidence.

When was Wreath made?

The V&A gives 1876 as the production date for the specimen O248608 and lists Wreath among Morris wallpaper designs of the 1870s. Whether 1876 is the design date or a first issue date is not established by the evidence.

Where can I see original specimens of Wreath?

The Victoria and Albert Museum holds two specimens, museum numbers O248613 and O248608, plus the related record O248692. They were given by Morris & Co. and are inscribed on the back with title, number and price.

For a related design from the same decade, continue to our guide to Acanthus, or browse the William Morris Original Designs collection.

Evidence

Sources & further reading

  1. Victoria and Albert MuseumV&A O248613: WreathMuseum collection databaseRead source
  2. Victoria and Albert MuseumV&A O248608: WreathMuseum collection databaseRead source
  3. Victoria and Albert MuseumV&A O248692: The WreathMuseum collection databaseRead source
  4. Victoria and Albert MuseumWilliam Morris and wallpaper design · V&AMuseum articleRead source
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